intern
Postnational Hybridity and Our Uncertain Future
Singapore Biennale: Natasha
Jamal Cyrus: The End of My Beginning
Morehshin Allahyari: A Jinn Rather than a Cyborg
It Shall Not Be Named – Carlos Motta: Your Monsters, Our Idols
Passenger—Migration Patterns on the Living and Those of the Dead
Millions of dead birds follow such new migratory paths, which draw capital from the south and the east into the north and the west. Often, these paths consolidate, convene in the centers of the colonizing empires—London and Paris—for a few years, or decades, before moving on to museums in the new world. These routes are not the birds’ natural flyways. They are new paths toward a capitalist archive that usurps purpose from the world it exploits.
The Mountain in the Sea by Ray Nayler
Korakrit Arunanondchai and Alex Gvojic: PRAY
Gone But Not Disrespected
On the last Sunday in June 2022, a particularly hot day in Philadelphia, about 100 of us gathered in front of Saint Luke’s landing for the culmination of an experimental AIDS memorial called Gone and for Ever, a community-informed spectacle of sight, sound, and grief—part of Remembrance, a project of the William Way LGBT Community Center and funded by the Pew Center for Arts & Heritage—to grapple with the question of how to memorialize amid the ongoing crisis.