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What’s Love Got to Do with It? What Is Left Unspoken, Love
Broken Hum(or)
Dinah Ryan explores the functions and possibilities of humor and its intersections with power, pain, vulnerability, and humanity.
On the National Mall
and we were dancing
Remote Access parties and Levani’s 127.1 BPM represent new, expansive ideas of the commons where queer, trans, immigrant, and disabled communities have gathered, and will gather, transgressively.
What Makes Another World Possible?
An exhibition at Tallinn Art Hall houses a number of artists curated by Corina L. Apostol that explore various aspects of socially engaged artworks.
Vitshois Mwilambwe Bondo: Para-institutional Kinshasa
Lauren Tate Baeza and Vitshois Mwilambwe Bondo talk about particularities of how a continent-wide trend of community-centered and para-institutional arts organizing unfolds in his hometown of Kinshasa; his personal journey from artist to administrator; and his own organization, Kin ArtStudio.
We Meet in a Patchwork: Landscapes and Elsewheres
In the following collaborative text, Makshya Tolbert and DJ Hellerman weave a patchwork of shared curiosity and mutual enchantment while physically re/situating themselves within the American Southeast. At the Virginia Museum of Fine Arts exhibition The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, Tolbert and Hellerman’s bodies and spirits converge, diverge, expand.
War Inna Babylon: The Community’s Struggle for Justice Truths and Rights
War Inna Babylon is not an exhibition; it is an everyday lived reality. Although we’ve exhibited some of the experience, I want people to feel it, feel like they have to do something, and [then] ask what we do next. To understand that you can’t sit on the fence, because if you do, you are supporting the status quo.
Indicting the Poisonous Imaginary—Radha D’Souza and Jonas Staal
In 2021 D’Souza and Staal came together to stage the Court for Intergenerational Climate Crimes (CICC) at Framer Framed in Amsterdam. Described as “a more-than-human tribunal to prosecute intergenerational climate crimes” committed by Unilever, ING, Airbus, and the Dutch state, the court drew from D’Souza’s book What’s Wrong With Rights? Social Movements, Law and Liberal Imaginations.