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What Cannot Be Held—Malcolm Peacock’s We Served … and they felt tiny bursts along the horizon

In a shotgun house in the Irish Channel neighborhood of New Orleans, I anxiously waited for 2 pm. I had...
Type:
Reviews
Source:
February 15th, 2022
Location:
New Orleans, Louisiana
Credit:
Text / TK Smith

Berenice Olmedo—Radical Alterity and the Crip/Disabled Subject

Utilizing sculptural, performance, and social practice modes, Olmedo’s work circumvents the representational trap that is part and parcel of a reduced, oppositional framing of normative and non-normative, or able and disabled.

Type:
Features
Source:
Fall 2021
Credit:
Text / Christopher Robert Jones

An Eye for An Eye — Bambitchell’s Bugs and Beasts Before the Law

Bugs and Beasts works to remind viewers that such stories aren’t simply dusty curiosities from the footnotes of history books, but practices that fundamentally shaped how we came to understand the intersections between performance, punishment, and the social and legal limits of personhood. 

Type:
Features
Source:
Fall 2021
Location:
Seattle, WA
Credit:
Text / Daniella Sanader

A Training in Suspense—Stacey Abrams’ While Justice Sleeps

In “Training in Suspense,” Courtney McClellan questions the implication of veracity in the recent spate of politician-penned political thrillers by way of Stacey Abrams’ new novel, While Justice Sleeps.

Type:
Features
Source:
Fall 2021
Location:
Atlanta, GA
Credit:
Text / Courtney McClellan