Reviews
Brittney Leeanne Williams: The Arch Is a Portal Is a Belly Is a Back
The bent posture of a semi-abstracted female silhouette dominates 15 of the 17 artworks by Brittney Leeanne Williams, currently on...
Cajsa von Zeipel: Nine Lives
Nine Lives features sculptural tableaus that Cajsa von Zeipel populates with life-size silicone figures. Each figure is clothed in athleisure...
Alexa Horochowski: Nomeacuerdo (I-don’t-remember-land)
Alexa Horochowski’s exhibition, Nomeacuerdo (I-don’t-remember-land), at Hair+Nails Contemporary Art floats through poetic explorations of personal history, political movements, deep time,...
After Carolee: Tender and Fierce
When Carolee Schneemann passed away two years ago at age 79, there was an immediate sense that a bold visionary...
Paul Ramírez Jonas: Disappearing Vows, Disguised Lies
A variety of sacred and civic texts, an alphabet of letter blocks, a folding table, and a 16-foot marquee provide...
Dawn Williams Boyd: Death Is Swallowed Up By Victory
The colossal “cloth paintings” of Dawn Williams Boyd, currently on view at Atlanta Contemporary, make a strong argument for in-person...
Gonzalo Hernandez: ):)
Trepidation over global upheaval and loss in 2020 created an uncertain backdrop for an artist’s first solo museum exhibition. A...
Terry Adkins: Resounding
Terry Adkins’ singular ingenuity flowed from a dynamic personal infrastructure: a creative practice at the intersection of music, visual art,...
here. there. everywhere.
How commonplace and easy it would be to truly love Black women if love were merely limerence, desire, and other...
Telling Stories About Ourselves: Zia Anger’s Radical Mythmaking
Zia Anger will be the first to tell you that Gray was not a successful movie. Created on a shoestring...