Reviews
Lean Into Trust & Confusion at Tai Kwun
Trust & Confusion at Tai Kwun Contemporary in Hong Kong was a collective effort to bring people together through performativity,...
a rope, pulled
How do we make sense of catastrophe? With time. Moments immediately following acts of destructive violence are often not ones...
Baseera Khan: I Am an Archive
Khan—winner of the museum’s second annual UOVO prize, which is awarded to an emergent Brooklyn-based artist—moves through an array of media and materials, trying to capture the textured co-existence of multiple languages and influences.
Trojan Horses
The past year, when everyone was cooped up behind screens, brought a peculiar kind of financialized culture into the mainstream,...
Trevor Paglen: Vision After Seeing
Vision After Seeing investigates the fallacies of surface as a means to address geopolitical complexity. The exhibition consists of a...
Rallou Panagiotou’s Pocket Microclimate: A Response
The ordinary conventions lapse, for in ordinary life one does not, after shaking hands with an unknown man, at once...
What Cannot Be Held—Malcolm Peacock’s We Served … and they felt tiny bursts along the horizon
In a shotgun house in the Irish Channel neighborhood of New Orleans, I anxiously waited for 2 pm. I had...
Renée Green—Inevitable Distances
Inevitable Distances [October 23, 2021–January 9, 2022], Renée Green’s expansive exhibition spread across Kunst-Werke Berlin and daadgalerie, featured elements suggesting...
Memoria
A murky predawn setting opens Memoria, the camera trained on gray curtains inside a seemingly empty bedroom. Everything is hushed,...