Reviews
Rachel Rampleman: Oh! You Pretty Things
On the day I visited Weston Art Gallery in Cincinnati, OH, to see Rachel Rampleman’s mid-career survey, Oh! You Pretty...
Order & Chaos
In ancient times, when philosophy informed the sciences and our knowledge of the brain was speculative or mythological, the anatomical...
Christine Sun Kim: Too Much Future
Nina Sun Eidsheim’s 2015 text Sensing Sound: Singing and Listening as Vibrational Practice sits at the fore of recent scholarly...
Access+Ability
What would a completely accessible museum look like? Removing all barriers for every visitor to a cultural institution is an...
The 43rd Annual Atlanta Film Festival
As with most trips to a movie theater, every screening at the 43rd Annual Atlanta Film Festival began with a...
Skyscraper
As Hollywood and the world look inwardly at themselves, questions of representation continue to burst forth. In the cinematic world,...
Jesse Darling: The Ballad of Saint Jerome
In Beasts of Burden: Animal and Disability Liberation, artist and activist Sunaura Taylor speaks from her own experiences toward a...
Louder Than Words
“What are you?” “To define is to limit.” “Give me a clue.” — Oscar Wilde, The Picture of Dorian Gray...
Yane Calovski and Hristina Ivanoska: Epilogue (Form of an Argument)
Occupying two ground-floor galleries of the Museum of Contemporary Art (MoCA) – Skopje, Epilogue (Form of an Argument) was something...
Mona Hatoum: Terra Infirma
Entering the Pulitzer Arts Foundation to view Mona Hatoum: Terra Infirma, which was organized by the Menil Collection in Houston,...