Reviews
Gina Adams: Its Honor Is Hereby Pledged
American pioneers would spend up to a year preparing for a trip west. In addition to provisions, prepared settlers packed...
Alan Ruiz: Infrapolitics
Infrastructure is where the material and political forces shaping our experience most intimately coincide. It is the fabric of the...
Simone Leigh: Loophole of Retreat
Simone Leigh’s Hugo Boss Prize exhibition, Loophole of Retreat, continues the ongoing exploration of black female subjectivity characteristic of Leigh’s...
Sonya Yong James: LOUD MAGIC
Sonya Yong James’ exhibition LOUD MAGIC [September 6 – October 19, 2019] at Whitespace in Atlanta is a slow-simmering study...
Joan Jonas: Moving Off the Land II
Throughout her more than 50-year artistic career, Joan Jonas has made ocular domination of the western information economy the starting...
Below Baldwin
In 2015, renovations to the University of Georgia’s Baldwin Hall revealed 27 graves near and beneath the foundation of the...
Eschatology on the Internet: The Nocilla Trilogy
In 2010 scientists from Hokkaido University in Sapporo, Japan, conducted an experiment with oat flakes, arranged to mimic the cities...
Krista Clark: Base Line of Appraisal
In Base Line of Appraisal, Krista Clark’s solo exhibition at the Museum of Contemporary Art of Georgia, the artist interrogates...
Lucia Berlin: Evening in Paradise and Welcome Home
Schoolteacher, dressmaker, cleaning woman, ER clerk, switchboard operator, oral historian: these were a few of the jobs that occupied Lucia...
Striking Power: Iconoclasm in Ancient Egypt
Striking Power: Iconoclasm in Ancient Egypt defines the concept of iconoclasm as “the intentional damage to and destruction of culturally...