Spot 1: REWORLDING
![REWORLDING](https://www.artpapers.org/wp-content/uploads/2017/11/badge-international.png)
Imagination Dead Imagine
Without a Future, We Can Be Forever
Earth Studies
Despite the diminutive size of our bodies, the Earth, in all its grand scale and complexity, is managing to grow inside us.
How To Make an Old World New?
Notes on the Whales in the Room
Entwined with the whaling industry, then, which peaked in the mid-19th century, was the violence of a colonial modernity that rendered the world open for the taking.
Spot 2: PLANETARY THINKING
![PLANETARY THINKING](https://www.artpapers.org/wp-content/uploads/2018/08/plant-badge.png)
Reworlding
What separates us, the living, from our recent ancestors, is that we have inadvertently become not just people of the planet, but planetary people. And as planetary folk, we’re the generational interlocutors of interlocking, simultaneous and earth-scaled challenges—something called the polycrisis.
Ecotone
In ecology, a place that comes into being only when two other places meet, is called the ecotone.
A Ceramic Materials Atlas
Organizing these materials in our studio is the outermost tip of a complex global distribution network of intricate webs of highways, shipping routes, rail lines, and flight paths—a planetary vascular system and neural network, a pulsing flow of matter and information covering the surface of the earth.
Spot 3: QUEERING NARRATIVES
![QUEERING NARRATIVES](https://www.artpapers.org/wp-content/uploads/2018/08/purple-flower-badge.png)
Nicole Eisenman: Fantastic Worlds
Yeah, there’s definitely a lot of self-portraiture. Even the work that doesn’t look like self-portraiture is self-portraiture. My father is a psychiatrist, and a part of our dialogue together is analyzing the inner lives of various artists, how their unconscious thoughts show up in their work. Those conversations taught me to look at my work in the same way. It’s similar to analyzing a dream. It’s so interesting to me.
TJ Shin: Unbecoming Human
Blue Cripistemologies: In and Around Derek Jarman
This critique calls for the development of transgressive strategies that allow us to retrieve, revive, and ultimately reassess work that has become mired in art myth and fraudulent provenance.
Spot 4: SUMMER READS
![SUMMER READS](https://www.artpapers.org/wp-content/uploads/2017/10/book-badge.png)
The Mountain in the Sea by Ray Nayler
The Athens Dialogues: Interviews by Hans Ulrich Obrist
Lucia Berlin: Evening in Paradise and Welcome Home
100 Boyfriends by Brontez Purnell
Spot 5: ON ALTERNATIVE ARTS PUBLICATIONS
SPECIAL ISSUE ON THE ALTERNATIVE ARTS PRESS
In summer 1991, ART PAPERS published a special issue on the Alternative Arts Press.
Spot 6: BIOMIMICRY
![BIOMIMICRY](https://www.artpapers.org/wp-content/uploads/2018/04/badges-2-01.png)
Joan Jonas: Moving Off the Land II
Symbionts: Contemporary Artists and the Biosphere
Each collaborative entity mobilizes its own kind of micro-performance, but together they maintain a coherence through the way we simultaneously apprehend them in the sensorium. As such, the materials feel less instrumentalized by aesthetics and more mysterious.
Michael Jones McKean: All That Lies Out of Sight
David Kim and Michael Jones McKean consider the immensity of the horizon and the poetics of a global body.
Spot 7: Cross species communication
![Cross species communication](https://www.artpapers.org/wp-content/uploads/2017/11/badge-gaming.png)
stones make birds make stones
Locus Hour
In Thill’s work, spirituality and hope coexist in tension with the banal materials of daily life, presenting an idea of transcendence that must pass through and engage with the grit of existence.