Spot 1: Disability + Visibility

Disability + Visibility

Obstacle Race

A personal essay on the artist’s navigation of the art world while disabled.

Type:
Projects
Source:
Winter 2018/2019
Credit:
Project / Amalia Ulman

Dependency and Improvisation

Amalle Dublon, Constantina Zavitsanos, and Park McArthur share notes about access, thickness and gain, and site and dependency in relation to McArthur’s recent exhibition Projects 195: Park McArthur at MoMA.

Type:
Interviews
Source:
Winter 2018/2019
Location:
New York, New York
Credit:
Interview / Amalle Dublon and Constantina Zavitsanos

Spot 2: Reviews

Reviews

Jesse Darling: The Ballad of Saint Jerome

In Beasts of Burden: Animal and Disability Liberation, artist and activist Sunaura Taylor speaks from her own experiences toward a...
Type:
Reviews
Source:
Winter 2018/2019
Location:
London, UK
Credit:
Text / Hannah Gregory

Louder Than Words

“What are you?” “To define is to limit.” “Give me a clue.” — Oscar Wilde, The Picture of Dorian Gray...
Type:
Reviews
Source:
April 16, 2019
Location:
Kennesaw, GA
Credit:
Text / Noah Rawlings

Yane Calovski and Hristina Ivanoska: Epilogue (Form of an Argument)

Occupying two ground-floor galleries of the Museum of Contemporary Art (MoCA) – Skopje, Epilogue (Form of an Argument) was something...
Type:
Reviews
Source:
April 10, 2019
Location:
Skopje, the Republic of Macedonia
Credit:
Text / Sylvie Fortin

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Spot 3: Borders, Barriers

Imaginary Lines

A constellation of thoughts about art and borders.

Type:
Features
Source:
Fall 2018/2019
Credit:
Text / Humberto Moro

Condomillennium

Aaron Gemmill has spent years photographing the proliferation of luxury condominiums, mostly in Brooklyn, NY. His project is a selection of these photos (which Gemmill originally posted to Instagram under the hashtag “#condoreport) and his prints of the Plexiglas windowpanes used to give passersby a glimpse into construction sites.

Type:
Projects
Source:
Fall 2018/2019
Location:
New York, New York
Credit:
Art / Aaron Gemmill

Porous Cosmopolis: Teddy Cruz and Fonna Forman

Teddy Cruz and Fonna Forman’s many co-extensive projects merge activist praxis, intellectual and skill exchange, horizontalist planning, and creative production to examine and change the way that borders, and the communities around them, are conceived of and function.

Type:
Interviews
Source:
March 13, 2019
Credit:
Interview / Rachael Rakes

Spot 4: Atlanta

Atlanta

Art on MARTA

A photo essay by David Naugle documenting the public art of Atlanta’s rapid transit system brings a vast collection of commissions out of the stations’ shadows
with an introduction by John Cocker.

Type:
Features, Projects
Source:
January/February 2016
Location:
Atlanta
Credit:
Text / John Crocker; Photo / David Naugle

Irony & Loss

An award-winning game designer and philosopher talks Pokémon GO, object-oriented ontology, addiction— and, most importantly, “stuff.”
with photographs by Brandon English

Type:
Interviews
Source:
September/October 2016
Location:
Atlanta
Credit:
Interview / Paul Boshears

Gatecrashing with Katherine Jentleson

An interview introduces Katherine Jentleson, scholar and curator of folk art, now at the High Museum of Art.

Type:
Interviews
Source:
July/August 2015
Location:
The High Museum of Art, Atlanta, GA
Credit:
Interview / Raphael Koenig

Spot 5: Ports of Call

Ports of Call

Gray Harbor

What such water goods reveal—only to persons close enough to smell the clinging dregs of seaweed or willing to caress the faux-leather handbag tucked into a cellophane sleeve—are the sentient negotiations of supple conquest.

Type:
Features, Projects
Source:
Summer 2018
Location:
Hong Kong
Credit:
Text / Holy Motors; Images / Luke Casey

Stocktaking

Daniel Keller in conversation with Femke Herregraven.

Type:
Features, Interviews
Source:
Summer 2018
Credit:
Interview / Femke Herregraven + Daniel Keller

Captives

I went back to Charleston, SC, for a wedding recently, and of all the port cities I have visited, lived in, or loved, Charleston is the worst.

Type:
Features
Source:
Summer 2018
Credit:
Text / Jasmine Amussen