Atlanta
End of Year Letter: 2024 -> 2025
‘Tis the season for taking stock of what we’ve accomplished in 2024, and for looking forward to what the future holds. On behalf of everyone at Art Papers, I want to thank the individuals and foundations who rallied to support our mission this past year.
The Perpetual Almost
A couple of months have passed since Atlanta Art Week and the inaugural Atlanta Art Fair. Parties attended, networking achieved,...
Amanda Grae Platner: It’s Still Not Me, It’s You
In It’s Still Not Me, It’s You at Atlanta’s Echo Contemporary Art, Platner’s self-portraits and installations invite the viewer into her world. She coaxes empathy through a variety of strategies, some that are playful and interactive, others that involve showing pain.
Artists Books from The Atlanta School
In recent decades much attention has been given to a child’s ability to identify basic geometric shapes and the colors....
Bump and Grind / Search and Destroy
This artist project originally appeared in ART PAPERS July/August 1992. Christian Walker was an Atlanta-based artist.
Let It Flow—Hannah Palmer’s Reimagined Atlanta
The quest that led Atlanta-based writer and urban designer Hannah Palmer to create Ghost Pools last summer in Atlanta was...
Three Case Studies in Ecological Protest
At the time of this timeline’s original publishing in our Fall 2023 issue, Counter Ecologies, in Atlanta, the Stop Cop...
Kelly Taylor Mitchell: Masking Practice
Kelly Taylor Mitchell is a performance artist, but you’ll never see her perform. Instead, the experience of her work is...
Making Time: Mildred Thompson’s Magnetic Fields
Color, line, form move toward an undefined but perceived center—by moving out of it. Density builds, decimates, then replenishes. There’s...
The Eyes Were Always on Us
The Eyes Were Always on Us opened March 23 at the United Talent Agency’s new Atlanta gallery on Peachtree Street—a...