intern
The Story of Art Without Men By Katy Hessel
Katy Hessel is seizing the moment. She is in the right time and place to elevate the power and presence...
Stubborn Materialism: Stoppages, Blocks, and Piles
Art in urban public space contends with human patterns of attention and distraction, just as monuments, buildings, and advertisements do....
On Coconuts and Earthships —
Interview with Mae-Ling Lokko
Mae-ling Lokko—an architectural scientist from Ghana and the Philippines, and an assistant professor at Yale University’s School of Architecture—is best...
Eamon Ore-Giron: Competing with Lightning / Rivalizando con el relámpago
Halves are made whole in Eamon Ore-Giron’s syncretic paintings, which combine elements from the Americas and Europe at different points...
Marking Time: Willie Birch’s The Roofers
Willie Birch, The Roofers, 2022, triptych, 84 x 60 inches [© Willie Birch; courtesy of the artist] The figures in...
Judie Bamber
For the uninitiated, approaching Judie Bamber’s work in the Richard Telles Gallery this summer might innocently begin as a contemplation...
Art and the Thinking Machine: Coded: Art Enters the Computer Age, 1952-1982
One of the first appearances of digital computers before a mass US audience (and a global one) in the early...
Making Time: Mildred Thompson’s Magnetic Fields
Color, line, form move toward an undefined but perceived center—by moving out of it. Density builds, decimates, then replenishes. There’s...
Insisting on Resisting : Counterpublic 2023
St. Louis, home of the Gateway Arch at the confluence of the Missouri and Mississippi rivers. Emblem of Manifest Destiny....
Amalia Amaki/Liz Hampton
When the Feminist Women’s Health Center expanded, a library of books and video tapes on women’s health issues was made...