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Against Cultural Amnesia
This feature originally appeared in ART PAPERS November/December 1994 Cultural amnesia seems to have reached epidemic proportions. Everyone, including...
Alison Nguyen’s Andra8 and the Gig Workers of the Data Economy
Sitting in front of a wrinkled sea-green backdrop is Andra8, the protagonist of Alison Nguyen’s 19-minute film my favorite software...
WangShui: Uncertainty in the Network
One of my earliest memories of the artist WangShui is of cats. Cats were the focus of their undergraduate thesis...
different ways to describe the ends of things
notes on Laurie Anderson
ID: A video still of artist Laurie Anderson, cropped against a light blue-and-white background. Anderson, a White woman in her...
Neo Muyanga: A Mass of Cyborgs
A Mass of Cyborgs, Neo Muyanga’s first solo, is a fitting inaugural exhibition for the Center for Art, Research and...
Some Questions Surrounding Robots and Rivers
Media artist and theorist Mark Amerika engaged in a conversation with GPT-2 (generative pre-trained transformer)—an open-source language model released in...
Postnational Hybridity and Our Uncertain Future
Twenty years after Nigerian-born curator Okwui Enwezor introduced a non-Western curatorial model to documenta 11, we can witness the impact...
Singapore Biennale: Natasha
Naming a biennale after a random, anonymous person felt like a gamble, and from the mutterings I heard on the...
Jamal Cyrus: The End of My Beginning
Jamal Cyrus’ The End of My Beginning is a survey exhibition that includes more than 40 works made over a...