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Eamon Ore-Giron: Competing with Lightning / Rivalizando con el relámpago
Halves are made whole in Eamon Ore-Giron’s syncretic paintings, which combine elements from the Americas and Europe at different points...
Marking Time: Willie Birch’s The Roofers
Willie Birch, The Roofers, 2022, triptych, 84 x 60 inches [© Willie Birch; courtesy of the artist] The figures in...
Judie Bamber
For the uninitiated, approaching Judie Bamber’s work in the Richard Telles Gallery this summer might innocently begin as a contemplation...
Art and the Thinking Machine: Coded: Art Enters the Computer Age, 1952-1982
One of the first appearances of digital computers before a mass US audience (and a global one) in the early...
Making Time: Mildred Thompson’s Magnetic Fields
Color, line, form move toward an undefined but perceived center—by moving out of it. Density builds, decimates, then replenishes. There’s...
Insisting on Resisting : Counterpublic 2023
St. Louis, home of the Gateway Arch at the confluence of the Missouri and Mississippi rivers. Emblem of Manifest Destiny....
Amalia Amaki/Liz Hampton
When the Feminist Women’s Health Center expanded, a library of books and video tapes on women’s health issues was made...
Carolyn Lazard: Long Take
The dancer is not present In a dark room, a white spotlight hits a vacant dance floor. Three channels of...
Arrested Childhood
For those who have forgotten the savage inner child, or the fierce manipulation of socialization and growing up, “Arrested Childhood”...