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Office Landscaping—A Genealogy of Corporate Critique
Ultimately, corporate critique has a genealogy, one that is cyclical and resilient, and that allows artists to engage aesthetics of control, desire, and regulation which corporate capitalist structures aim to produce.
Azza El Siddique: In the place of annihilation, where all the past was present and returned transformed
Azza El Siddique’s exhibition at MIT List Visual Arts Center is a treatise on scent and transformation. In the place...
A Movement of the Earth Against the World
Kassel has a fabled history. The Brothers Grimm emerged here during a paradigm shift that marked the amalgamation of Germany’s...
BREYER P-ORRIDGE: We Are But One
In We Are But One [April 15–July 10, 2022]—the first major, posthumous US exhibition of artists, musicians, occultists, and spouses...
12th Berlin Biennale: Still Present!
It took time for my thoughts on Still Present!, the 12th Berlin Biennale, to settle. At first, my impressions veered...
Kameelah Janan Rasheed: Chasing Things That Cannot Be Chased
Kameelah Janan Rasheed is a learner—an elastic term that includes artist, writer, teacher, collaborator, and public speaker. In Smooooooooooooooth Operator,...
TJ Shin: Unbecoming Human
Los Angeles–based artist TJ Shin’s work centers on living processes. It explores the felt experience of postcoloniality through intimate sensorial...
Charmaine Minniefield:
Indigo Prayers: A Creation Story
Inside the John Howett Works on Paper Gallery at Emory University’s Michael C. Carlos Museum, Indigo Prayers: A Creation Story...
What’s Love Got to Do with It? What Is Left Unspoken, Love
In its presentation of almost 70 works by more than 35 contemporary artists based in North America, Europe, and Asia—including...