Interviews
Nancy Baker Cahill: An Invitation to Future Species
“What I’m especially excited to share in my own practice is a process of mutation, translation, and mediation. And so, what we’re really doing is tracing a trajectory of lines on—in this case, paper—but let’s say just a wall. I take those drawings, tear them into 3-D objects, then combine and recombine them into immersive 3-D sculpture.”
Nicole Eisenman: Fantastic Worlds
Yeah, there’s definitely a lot of self-portraiture. Even the work that doesn’t look like self-portraiture is self-portraiture. My father is a psychiatrist, and a part of our dialogue together is analyzing the inner lives of various artists, how their unconscious thoughts show up in their work. Those conversations taught me to look at my work in the same way. It’s similar to analyzing a dream. It’s so interesting to me.
On Biodiversity—Timur Si-Qin and Haley Mellin in Conversation
I think that you and I both approach the natural world similarly with our work. In a meditative and devotional way, in which we try to look deeper and deeper into the visuality and details of nature.
Robin Levy: A Space of Solidarity
Kelly Taylor Mitchell: Masking Practice
Chase Hall: Sweat Equity
Stephanie Dinkins: Building Something Now
Morehshin Allahyari: A Jinn Rather than a Cyborg
Rami George: The Tangents, Pivots, and Slants of Artistic Research
Laurel V. McLaughlin and Rami George discuss pushing and pulling against dominant frameworks of selfhood, community, and home.
Chang Yuchen: Language, Use, Value
Traveling from China to the US in early 2020, the strangely fragmented temporality of solitude, and feeling useless.