Interview
Interview with Lucinda Bunnen and
Virginia Warren Smith
This interview was originally published in ART PAPERS March/April 1991, Vol. 15, issue 2. Scoring in Heaven: Gravestones and Cemetery...
Interview with Mary Ellen Mark
This interview was originally published in ART PAPERS May/June 1992, Vol. 16, issue 3. Mary Ellen Mark exhibited recent work...
Glen Small: An Architectural Nature
One of the founders of the Southern California Institute of Architecture (SCI-Arc), American architect Glen Small (born 1937), has dedicated...
Interview with Kim Stanley Robinson
Since his Mars trilogy became the most highly Hugo-decorated book series of the 1990s, reviews of Kim Stanley Robinson’s work...
Robin Levy: A Space of Solidarity
In 2021, I traveled to see Prospect 5: Yesterday We Said Tomorrow. As I prepared for the trip, a mutual...
Mae Ling Lokko: On Coconuts and Earthships
Mae-ling Lokko—an architectural scientist from Ghana and the Philippines, and an assistant professor at Yale University’s School of Architecture—is best...
Stephanie Dinkins: Building Something Now
In a recent conversation, a colleague made the claim that the math supporting the technology under discussion was not cultural....
Kameelah Janan Rasheed: Chasing Things That Cannot Be Chased
Kameelah Janan Rasheed is a learner—an elastic term that includes artist, writer, teacher, collaborator, and public speaker. In Smooooooooooooooth Operator,...
Vitshois Mwilambwe Bondo: Para-institutional Kinshasa
Lauren Tate Baeza and Vitshois Mwilambwe Bondo talk about particularities of how a continent-wide trend of community-centered and para-institutional arts organizing unfolds in his hometown of Kinshasa; his personal journey from artist to administrator; and his own organization, Kin ArtStudio.
War Inna Babylon: The Community’s Struggle for Justice Truths and Rights
War Inna Babylon is not an exhibition; it is an everyday lived reality. Although we’ve exhibited some of the experience, I want people to feel it, feel like they have to do something, and [then] ask what we do next. To understand that you can’t sit on the fence, because if you do, you are supporting the status quo.