Interview
Nicole Eisenman: Fantastic Worlds
Yeah, there’s definitely a lot of self-portraiture. Even the work that doesn’t look like self-portraiture is self-portraiture. My father is a psychiatrist, and a part of our dialogue together is analyzing the inner lives of various artists, how their unconscious thoughts show up in their work. Those conversations taught me to look at my work in the same way. It’s similar to analyzing a dream. It’s so interesting to me.
Jonathan Lasker: Visible Thoughts
This feature was originally published in ART PAPERS September/October 2001, Vol. 25, issue 5. A painter of remarkable consistency, Jonathan...
Interview with Andres Serrano
This interview was originally published in ART PAPERS September/October 1990, Vol. 14, issue 5 The following interview was arranged for...
Interview with Lucinda Bunnen and
Virginia Warren Smith
This interview was originally published in ART PAPERS March/April 1991, Vol. 15, issue 2. Scoring in Heaven: Gravestones and Cemetery...
Interview with Mary Ellen Mark
This interview was originally published in ART PAPERS May/June 1992, Vol. 16, issue 3. Mary Ellen Mark exhibited recent work...
Glen Small: An Architectural Nature
One of the founders of the Southern California Institute of Architecture (SCI-Arc), American architect Glen Small (born 1937), has dedicated...
Interview with Kim Stanley Robinson
Since his Mars trilogy became the most highly Hugo-decorated book series of the 1990s, reviews of Kim Stanley Robinson’s work...
Robin Levy: A Space of Solidarity
In 2021, I traveled to see Prospect 5: Yesterday We Said Tomorrow. As I prepared for the trip, a mutual...
Mae Ling Lokko: On Coconuts and Earthships
Mae-ling Lokko—an architectural scientist from Ghana and the Philippines, and an assistant professor at Yale University’s School of Architecture—is best...
Stephanie Dinkins: Building Something Now
In a recent conversation, a colleague made the claim that the math supporting the technology under discussion was not cultural....