Interviews
Interview with Kim Stanley Robinson
Since his Mars trilogy became the most highly Hugo-decorated book series of the 1990s, reviews of Kim Stanley Robinson’s work...
Robin Levy: A Space of Solidarity
In 2021, I traveled to see Prospect 5: Yesterday We Said Tomorrow. As I prepared for the trip, a mutual...
Kelly Taylor Mitchell: Masking Practice
Kelly Taylor Mitchell is a performance artist, but you’ll never see her perform. Instead, the experience of her work is...
Mae Ling Lokko: On Coconuts and Earthships
Mae-ling Lokko—an architectural scientist from Ghana and the Philippines, and an assistant professor at Yale University’s School of Architecture—is best...
Chase Hall: Sweat Equity
Chase Hall’s first solo museum exhibition—The Close of Day, at SCAD Museum of Art—brings together works ranging from 2018 to...
Stephanie Dinkins: Building Something Now
In a recent conversation, a colleague made the claim that the math supporting the technology under discussion was not cultural....
Morehshin Allahyari: A Jinn Rather than a Cyborg
An oddity of much recent algorithmically generated art is that, while it traffics in the rhetoric of hyper-novelty, it often...
Kameelah Janan Rasheed: Chasing Things That Cannot Be Chased
Kameelah Janan Rasheed is a learner—an elastic term that includes artist, writer, teacher, collaborator, and public speaker. In Smooooooooooooooth Operator,...
TJ Shin: Unbecoming Human
Los Angeles–based artist TJ Shin’s work centers on living processes. It explores the felt experience of postcoloniality through intimate sensorial...
Vitshois Mwilambwe Bondo: Para-institutional Kinshasa
Lauren Tate Baeza and Vitshois Mwilambwe Bondo talk about particularities of how a continent-wide trend of community-centered and para-institutional arts organizing unfolds in his hometown of Kinshasa; his personal journey from artist to administrator; and his own organization, Kin ArtStudio.