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Gone But Not Disrespected
On the last Sunday in June 2022, a particularly hot day in Philadelphia, about 100 of us gathered in front of Saint Luke’s landing for the culmination of an experimental AIDS memorial called Gone and for Ever, a community-informed spectacle of sight, sound, and grief—part of Remembrance, a project of the William Way LGBT Community Center and funded by the Pew Center for Arts & Heritage—to grapple with the question of how to memorialize amid the ongoing crisis.
Office Landscaping—A Genealogy of Corporate Critique
Ultimately, corporate critique has a genealogy, one that is cyclical and resilient, and that allows artists to engage aesthetics of control, desire, and regulation which corporate capitalist structures aim to produce.