intern
Interview with Judy Pfaff
This interview was originally published in ART PAPERS November/December 1987, Vol. 11, issue 6. Known primarily for her elaborate installations,...
Africatown
My first visit to Africatown was by way of US Highway 90 and the Cochrane-Africatown Bridge, which spans the Mobile...
A Site of Evanescence
How do you perform with an endangered fish? By becoming imperceptible. How do you become imperceptible? By finding the point...
Tirzo Martha: Things in Perpetual Becoming
Tirzo Martha is an artist based in Curaçao and the founder of Instituto Bueno Bista (IBB). I traveled to Curaçao...
Por ti, me doblo / Junto, te aplico
There are small creeks that lead into rivers that then morph and carry themselves into the ocean, along the way,...
Richard Misrach: The Machine in the Garden
All those petrochemical industries were side by side with antebellum homes; it was like a clash between Gone with the Wind and Blade Runner. I found that remarkable. Also I was struck by how terribly polluted the Mississippi river was, and yet it’s a national treasure.
Jonathan Lasker: Visible Thoughts
This feature was originally published in ART PAPERS September/October 2001, Vol. 25, issue 5. A painter of remarkable consistency, Jonathan...
Larping Adulthood: Freeville to Midlands
At my elementary school, we maintained a post office, participated in kids’ voting, and took a lesson in free market...
The 2nd Helsinki Biennial’s Call to Action
Curated by professor Joasia Krysa, the title of the Helsinki Biennial’s second edition, New Directions May Emerge, quoted anthropologist Anna...
The 12th Liverpool Biennial: Actual and Curatorial Displacements
Drawing on the isiZulu word for spirit, breath, air, climate, and wind, the 12th Liverpool Biennial, uMoya: The Sacred Return...