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Trojan Horses
Ge Yulu: Cutting In—Dances with the State and the Collective
Ge Yulu’s artistic practice playfully pulls at the strings of a social system that, although seemingly all-encompassing, is in fact a malleable structure consisting of individual human beings.
Against Confinement—On Mohamed Bourouissa’s Frames of Relation
In this expansive appraisal of the artist’s work, Bailey makes a case for the emancipatory power of images.
Doireann O’Malley: Floating Worlds Apart
Lydia Horne interviews Doireann O’Malley about getting lost, the building of virtual spaces, and presenting us with a post-human reality in their recent work, New Maps of Hyperspace_Test_01.
Rallou Panagiotou’s Pocket Microclimate: A Response
What Cannot Be Held—Malcolm Peacock’s We Served … and they felt tiny bursts along the horizon
Berenice Olmedo—Radical Alterity and the Crip/Disabled Subject
Utilizing sculptural, performance, and social practice modes, Olmedo’s work circumvents the representational trap that is part and parcel of a reduced, oppositional framing of normative and non-normative, or able and disabled.
An Eye for An Eye — Bambitchell’s Bugs and Beasts Before the Law
Bugs and Beasts works to remind viewers that such stories aren’t simply dusty curiosities from the footnotes of history books, but practices that fundamentally shaped how we came to understand the intersections between performance, punishment, and the social and legal limits of personhood.
I Will Not Be Purified
Anyone who has ever been life-threateningly ill will know the desperation it breeds. You’ll try anything. You’ll do anything. And when treatments fail, and doctors—shockingly unskilled in empathy—shrug and suggest this means you will die, you start looking anywhere for help.