New York
Brittney Leeanne Williams: The Arch Is a Portal Is a Belly Is a Back
The bent posture of a semi-abstracted female silhouette dominates 15 of the 17 artworks by Brittney Leeanne Williams, currently on...
Cajsa von Zeipel: Nine Lives
Nine Lives features sculptural tableaus that Cajsa von Zeipel populates with life-size silicone figures. Each figure is clothed in athleisure...
This Is America: A Drill at the Park Avenue Armory
Fawz Kabra questions the logics of institutional critique in Hito Steyerl’s Drill.
Art Isn’t Neutral
Sara Wintz, Carin Kuoni and Laura Raicovich discuss the impossibility of neutrality
Simone Leigh: Loophole of Retreat
Simone Leigh’s Hugo Boss Prize exhibition, Loophole of Retreat, continues the ongoing exploration of black female subjectivity characteristic of Leigh’s...
Is Art Still “What Makes Life More Interesting Than Art”?
FROM THE ARCHIVES: November/December 2001— Cay Sophie Rabinowitz wrote on the tragic events of September 11, 2001, and the ability of art to go on in the aftermath.
A Brief History of Power
Contributing editor Stephanie Bailey traces the lines of electrification to political power via Chilean artist Iván Navarro and the 38th EVA International in Ireland.
Access+Ability
What would a completely accessible museum look like? Removing all barriers for every visitor to a cultural institution is an...
Dependency and Improvisation
Amalle Dublon, Constantina Zavitsanos, and Park McArthur share notes about access, thickness and gain, and site and dependency in relation to McArthur’s recent exhibition Projects 195: Park McArthur at MoMA.
M. Lamar: American Cuck
As viewers arrive for composer M. Lamar’s multimedia installation American Cuck, a looping video “pre-show” depicts a young white woman...