New York
Alex Tatarsky: Power|Play
New York and Philadelphia–based artist Alex Tatarsky’s practice operates somewhere between the serious and the sardonic. Drawing upon histories of...
Neo Muyanga: A Mass of Cyborgs
A Mass of Cyborgs, Neo Muyanga’s first solo, is a fitting inaugural exhibition for the Center for Art, Research and...
Tamia Alston-Ward’s
Le Déracinement (The Uprooting)
American material and visual history are interconnected—the two cannot be separated. This fact is made apparent in Tamia Alston-Ward’s solo...
Korakrit Arunanondchai and Alex Gvojic: PRAY
Beyond a subtly marked door on Canal Street in Lower Manhattan, Korakrit Arunanondchai and Alex Gvojic have created something akin...
BREYER P-ORRIDGE: We Are But One
In We Are But One [April 15–July 10, 2022]—the first major, posthumous US exhibition of artists, musicians, occultists, and spouses...
Baseera Khan: I Am an Archive
Khan—winner of the museum’s second annual UOVO prize, which is awarded to an emergent Brooklyn-based artist—moves through an array of media and materials, trying to capture the textured co-existence of multiple languages and influences.
Estamos Bien – La Trienal 20/21
Following a year of heightened calls for corrective change to social imbalances in the United States, particularly as they are...
Fabienne Lasserre: Eye Contact
Paintings have always talked to walls—what’s on, built into, attached to, hung from, and tucked away inside them; how they...
(R)education: Exhibiting the Asian American Experience
The hope is for the work to spark conversations that would change perceptions of Asian Americans for the better, as well as to hold white supremacist ideals to account.
Patty Chang: Milk Debt
Death. 113 degrees, everyday. Water running out. Loss of meaning. sharks in the water when I see a seal. lemmings....