New York
Estamos Bien – La Trienal 20/21
Following a year of heightened calls for corrective change to social imbalances in the United States, particularly as they are...
Fabienne Lasserre: Eye Contact
Paintings have always talked to walls—what’s on, built into, attached to, hung from, and tucked away inside them; how they...
(R)education: Exhibiting the Asian American Experience
The hope is for the work to spark conversations that would change perceptions of Asian Americans for the better, as well as to hold white supremacist ideals to account.
Patty Chang: Milk Debt
Death. 113 degrees, everyday. Water running out. Loss of meaning. sharks in the water when I see a seal. lemmings....
Brittney Leeanne Williams: The Arch Is a Portal Is a Belly Is a Back
The bent posture of a semi-abstracted female silhouette dominates 15 of the 17 artworks by Brittney Leeanne Williams, currently on...
Cajsa von Zeipel: Nine Lives
Nine Lives features sculptural tableaus that Cajsa von Zeipel populates with life-size silicone figures. Each figure is clothed in athleisure...
This Is America: A Drill at the Park Avenue Armory
Fawz Kabra questions the logics of institutional critique in Hito Steyerl’s Drill.
Art Isn’t Neutral
Sara Wintz, Carin Kuoni and Laura Raicovich discuss the impossibility of neutrality
Simone Leigh: Loophole of Retreat
Simone Leigh’s Hugo Boss Prize exhibition, Loophole of Retreat, continues the ongoing exploration of black female subjectivity characteristic of Leigh’s...
Is Art Still “What Makes Life More Interesting Than Art”?
FROM THE ARCHIVES: November/December 2001— Cay Sophie Rabinowitz wrote on the tragic events of September 11, 2001, and the ability of art to go on in the aftermath.