Review
2021 Texas Biennial: A New Landscape, A Possible Horizon
Texas is as complicated as it is big, and the 2021 Texas Biennial, featuring more than 50 artists (mostly) working...
Talking Back: Zineb Sedira’s Voice-Over
Projection walls of movie theaters are curved to correct for distortion. Images projected on them appear flat because of an...
Duane Linklater: mymothersside
Far in the distance of a vast, snow-covered clearing, men dressed in North Face jackets approach a large, dark mass...
Candice Lin: Seeping, Rotting, Resting, Weeping
*This piece will be published in our Winter 2021 issue, and is a sneak peek of what’s to come in...
The Athens Dialogues: Interviews by Hans Ulrich Obrist
“The future is built from fragments of the past” Hans Ulrich Obrist muses, invoking Erwin Panofsky in the introduction to...
Huguette Caland: Tête-à-Tête
In recent years, Huguette Caland (1931–2019) and a group of women artists of Lebanese origin, working in abstraction—including Saloua Raouda...
Estamos Bien – La Trienal 20/21
Following a year of heightened calls for corrective change to social imbalances in the United States, particularly as they are...
The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse
Growing up in Decatur, IL, meant that the hip-hop which influenced me was a combination of art and artists from...
Fabienne Lasserre: Eye Contact
Paintings have always talked to walls—what’s on, built into, attached to, hung from, and tucked away inside them; how they...
2021 Atlanta Biennial: Of Care and Destruction
Following a nine-year hiatus since its previous edition, the Atlanta Biennial was resurrected by Atlanta Contemporary in 2016 to present...