Review
Baseera Khan: I Am an Archive
Khan—winner of the museum’s second annual UOVO prize, which is awarded to an emergent Brooklyn-based artist—moves through an array of media and materials, trying to capture the textured co-existence of multiple languages and influences.
Trojan Horses
The past year, when everyone was cooped up behind screens, brought a peculiar kind of financialized culture into the mainstream,...
Trevor Paglen: Vision After Seeing
Vision After Seeing investigates the fallacies of surface as a means to address geopolitical complexity. The exhibition consists of a...
What Cannot Be Held—Malcolm Peacock’s We Served … and they felt tiny bursts along the horizon
In a shotgun house in the Irish Channel neighborhood of New Orleans, I anxiously waited for 2 pm. I had...
Renée Green—Inevitable Distances
Inevitable Distances [October 23, 2021–January 9, 2022], Renée Green’s expansive exhibition spread across Kunst-Werke Berlin and daadgalerie, featured elements suggesting...
Memoria
A murky predawn setting opens Memoria, the camera trained on gray curtains inside a seemingly empty bedroom. Everything is hushed,...
2021 Texas Biennial: A New Landscape, A Possible Horizon
Texas is as complicated as it is big, and the 2021 Texas Biennial, featuring more than 50 artists (mostly) working...
Talking Back: Zineb Sedira’s Voice-Over
Projection walls of movie theaters are curved to correct for distortion. Images projected on them appear flat because of an...
Duane Linklater: mymothersside
Far in the distance of a vast, snow-covered clearing, men dressed in North Face jackets approach a large, dark mass...