Review
Candice Lin: Seeping, Rotting, Resting, Weeping
*This piece will be published in our Winter 2021 issue, and is a sneak peek of what’s to come in...
The Athens Dialogues: Interviews by Hans Ulrich Obrist
“The future is built from fragments of the past” Hans Ulrich Obrist muses, invoking Erwin Panofsky in the introduction to...
Huguette Caland: Tête-à-Tête
In recent years, Huguette Caland (1931–2019) and a group of women artists of Lebanese origin, working in abstraction—including Saloua Raouda...
Estamos Bien – La Trienal 20/21
Following a year of heightened calls for corrective change to social imbalances in the United States, particularly as they are...
The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse
Growing up in Decatur, IL, meant that the hip-hop which influenced me was a combination of art and artists from...
Fabienne Lasserre: Eye Contact
Paintings have always talked to walls—what’s on, built into, attached to, hung from, and tucked away inside them; how they...
2021 Atlanta Biennial: Of Care and Destruction
Following a nine-year hiatus since its previous edition, the Atlanta Biennial was resurrected by Atlanta Contemporary in 2016 to present...
Patty Chang: Milk Debt
Death. 113 degrees, everyday. Water running out. Loss of meaning. sharks in the water when I see a seal. lemmings....
100 Boyfriends by Brontez Purnell
100 Boyfriends, Brontez Purnell’s latest book, is a beautifully acerbic and transgressively messy portrait of queer existence—and persistence—that celebrates implosion...
Cross Pollination: Heade, Cole, Church, and Our Contemporary Moment
In his 1836 “Essay on American Scenery,” the painter Thomas Cole wrote of civilization’s detrimental impact on the natural world:...