Web 2023
Series Collapsed by MPA
Infinity had to start somewhere. ∞, also known as the lemniscate, the ouroboros, or the “lazy eight”—often a line with...
Milk
Charting the historical, cultural, and scientific resonances of milk, the exhibition draws connections between protection and power. Across the works, milk closes the space between bodies. It destabilizes those things we typically consider natural, and it asks who gets to participate in the fantasy of motherhood.
Let It Flow—Hannah Palmer’s Reimagined Atlanta
The quest that led Atlanta-based writer and urban designer Hannah Palmer to create Ghost Pools last summer in Atlanta was...
Tiona Nekkia McClodden at Kunsthalle Basel
Beauty is not a luxury, rather it is a way of creating possibility in the space of enclosure, a radical...
Interview with Kim Stanley Robinson
Since his Mars trilogy became the most highly Hugo-decorated book series of the 1990s, reviews of Kim Stanley Robinson’s work...
Robin Levy: A Space of Solidarity
In 2021, I traveled to see Prospect 5: Yesterday We Said Tomorrow. As I prepared for the trip, a mutual...
Erasing Pronouns: Beatriz Santiago Muñoz’s Ottilia
The women say that of her song nothing is to be heard but a continuous O. That is why this...
The Story of Art Without Men By Katy Hessel
Katy Hessel is seizing the moment. She is in the right time and place to elevate the power and presence...
Marking Time: Willie Birch’s The Roofers
Willie Birch, The Roofers, 2022, triptych, 84 x 60 inches [© Willie Birch; courtesy of the artist] The figures in...
Radical Radixes—On Lili Dujourie’s Mimesis
The work consists of an upright, kinked, and broken cylinder, from the base of which protrude zigzagging, forked rods; the whole evokes a barren tree trunk, its roots growing down the sides of its plinth, clinging to it. Two of the roots reach the pavement and one touches the steps, mimicking the way that some trees survive on rocks or walls by rooting around them.