Web 2022

Greg Ito: Looking Back to Let Go

This is probably the most personal show I’ve made. I want people to know that the work is connected to these real experiences, so there’s pretty intimate stuff that’s only been seen within our family circle .… I had to ask my mom if it was okay to share these photographs. Since we weren’t able to get permission from relatives who have passed to share these things, all the faces are going to be covered with small white stickers. That way we can keep our family identities private and off the internet. These stickers also create a pathway for viewers to insert themselves into [my family’s] experience.

Type:
Interviews
Source:
May 11th, 2022
Location:
San Diego, CA
Credit:
Interview / Stephanie Bailey

Pearl Cleage: Fragile Bodies on a Fragile Planet

The thing that strikes me more and more as I get older is how we spend so much time and energy and bluster building cities, having wars, dominating and insulting each other, when all the time, we are living inside these fragile bodies that have to exist on a fragile planet in the company of other fragile beings and unknown viruses.

Type:
Interviews
Source:
April 27th, 2022
Location:
Atlanta, GA
Credit:
Interview / Edward Austin Hall

Consider the Hot Dog: Ivy Haldeman on an American Icon

Haldeman’s paintings capture the way quotidian images inform how we fashion ourselves, how we move about the world. They ask, “How do we wear ourselves into becoming ourselves? And what do things, such as inanimate objects and advertisements, demand from us?

Type:
Features
Source:
April 20th, 2022
Credit:
Text / Sarah Bochicchio

Itziar Barrio: Stella!—working on, and through You Weren’t Familiar but You Weren’t Afraid

You Weren’t Familiar but You Weren’t Afraid was filmed in multiple cities and makes overt narrative references to three films: A Streetcar Named Desire (1951), La estrategia del caracol (The Strategy of the Snail) (1993) and Accattone (1961).

Type:
Interviews
Source:
April 13th, 2022
Credit:
Interview / Jillian McManemin

What Cannot Be Held—Malcolm Peacock’s We Served … and they felt tiny bursts along the horizon

In a shotgun house in the Irish Channel neighborhood of New Orleans, I anxiously waited for 2 pm. I had...
Type:
Reviews
Source:
February 15th, 2022
Location:
New Orleans, Louisiana
Credit:
Text / TK Smith