Web 2022
a rope, pulled
How do we make sense of catastrophe? With time. Moments immediately following acts of destructive violence are often not ones...
Consider the Hot Dog: Ivy Haldeman on an American Icon
Haldeman’s paintings capture the way quotidian images inform how we fashion ourselves, how we move about the world. They ask, “How do we wear ourselves into becoming ourselves? And what do things, such as inanimate objects and advertisements, demand from us?
Itziar Barrio: Stella!—working on, and through You Weren’t Familiar but You Weren’t Afraid
You Weren’t Familiar but You Weren’t Afraid was filmed in multiple cities and makes overt narrative references to three films: A Streetcar Named Desire (1951), La estrategia del caracol (The Strategy of the Snail) (1993) and Accattone (1961).
Rallou Panagiotou’s Pocket Microclimate: A Response
The ordinary conventions lapse, for in ordinary life one does not, after shaking hands with an unknown man, at once...
What Cannot Be Held—Malcolm Peacock’s We Served … and they felt tiny bursts along the horizon
In a shotgun house in the Irish Channel neighborhood of New Orleans, I anxiously waited for 2 pm. I had...
Renée Green—Inevitable Distances
Inevitable Distances [October 23, 2021–January 9, 2022], Renée Green’s expansive exhibition spread across Kunst-Werke Berlin and daadgalerie, featured elements suggesting...