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Kelly Taylor Mitchell: Masking Practice
Kelly Taylor Mitchell is a performance artist, but you’ll never see her perform. Instead, the experience of her work is...
Stubborn Materialism: Stoppages, Blocks, and Piles
Art in urban public space contends with human patterns of attention and distraction, just as monuments, buildings, and advertisements do....
Eamon Ore-Giron: Competing with Lightning / Rivalizando con el relámpago
Halves are made whole in Eamon Ore-Giron’s syncretic paintings, which combine elements from the Americas and Europe at different points...
Art and the Thinking Machine: Coded: Art Enters the Computer Age, 1952-1982
One of the first appearances of digital computers before a mass US audience (and a global one) in the early...
Making Time: Mildred Thompson’s Magnetic Fields
Color, line, form move toward an undefined but perceived center—by moving out of it. Density builds, decimates, then replenishes. There’s...
Insisting on Resisting : Counterpublic 2023
St. Louis, home of the Gateway Arch at the confluence of the Missouri and Mississippi rivers. Emblem of Manifest Destiny....
Carolyn Lazard: Long Take
The dancer is not present In a dark room, a white spotlight hits a vacant dance floor. Three channels of...
Chase Hall: Sweat Equity
Chase Hall’s first solo museum exhibition—The Close of Day, at SCAD Museum of Art—brings together works ranging from 2018 to...