Reviews
Simone Leigh: Sovereignty
“The work is a gateway, one that bridges extracted projections of African aesthetic realities by refocusing upon the origins of Black exterior expression. Those spaces—just like bodies—hold stories, memories, and dreams. The transformation of this pavilion foreshadowed how this experience would find me in a house of discourses. But this time, there could be a more nuanced conversation about the interiority of Black female consciousness.”
What’s Love Got to Do with It? What Is Left Unspoken, Love
partus/chorus
Because the Sky Will Be Filled With Sulfur—Jeremy Bolen
On the National Mall
What Makes Another World Possible?
An exhibition at Tallinn Art Hall houses a number of artists curated by Corina L. Apostol that explore various aspects of socially engaged artworks.
The French Dispatch: How Wes Anderson Critics Gaslit Themselves, and Me
There is a wide chasm between what The French Dispatch presents itself to be and what it is.
Lean Into Trust & Confusion at Tai Kwun
a rope, pulled
Baseera Khan: I Am an Archive
Khan—winner of the museum’s second annual UOVO prize, which is awarded to an emergent Brooklyn-based artist—moves through an array of media and materials, trying to capture the textured co-existence of multiple languages and influences.