Reviews
Laurie Kang: Beolle
Along the floor of the solarium in Oakville Galleries’ Gairloch Gardens lay unrolled, unfixed, and unprocessed photographic paper and films,...
Cecilia Vicuña: About to Happen
At the Henry Art Gallery in Seattle, Cecilia Vicuña’s precarios dotted the walls, forming a constellation of repurposed materials. Plastic...
The Seventh Continent
The title The Seventh Continent refers to the Great Pacific garbage patch, which is a mass—approximately five times the size...
Anastasia Samoylova: FloodZone
A bicycle-helmeted boy, shoulders drawn in slightly, stands on a ramp at the entrance of a parking garage. He is...
Tigers Are Not Afraid (Vuelven)
“There are no wishes. There’s nothing. Not even tigers. We’re all there is.” Tigers Are Not Afraid is a gritty...
Great Force
The press preview was wrapping up. Journalists, community organizers, and artists were assembled at the Institute for Contemporary Art (ICA)...
Deborah Anzinger: An Unlikely Birth
In an epigraph to her book Zong!—a meditation on the 1781 massacre of an estimated 150 slaves in the Middle...
Suzanne Lacy: We Are Here
If you have never seen the name Suzanne Lacy on a wall label in a museum, or even a gallery,...
Counterpublic 2019
Late afternoon sunlight floods in, through a garage door that opens into a local yoga studio, where Isabel Lewis sways...
Trauma and Repetition: fence by Staibdance
On October 3, 2019, Staibdance premiered a new work, fence, by Artistic Director George Staib in collaboration with Managing Director...