Features
The Principles of Participatory Art
Artists using other humans in their work may require examination, monitoring, and a philosophical prescription.
A Year of Women’s Revenge
In 2019, women protagonists become the avengers for systemic violence.
This Is America: A Drill at the Park Avenue Armory
Fawz Kabra questions the logics of institutional critique in Hito Steyerl’s Drill.
Imagine New Monuments
Emily Wilkerson offers a case study of the New Orleans collective Paper Monuments.
Is Art Still “What Makes Life More Interesting Than Art”?
FROM THE ARCHIVES: November/December 2001— Cay Sophie Rabinowitz wrote on the tragic events of September 11, 2001, and the ability of art to go on in the aftermath.
A Brief History of Power
Contributing editor Stephanie Bailey traces the lines of electrification to political power via Chilean artist Iván Navarro and the 38th EVA International in Ireland.
The Energy Paradox
Japanese artists’ and cultural workers’ strategies for response to the Fukushima disaster.
Zina Saro-Wiwa
Poncili Creación Fights a More Beautiful Fight
Maxwell Paparella spends time with exuberant Puerto Rican performance collective Poncili Creación.
Henrik Olesen: What is Most Deep is the Skin
On artist Henrik Olesen’s “Hysterical Men” and “The Walk,” which concern mental illness and the pathologization of queerness by way of historical figures.