circulation
Nicole Eisenman: Fantastic Worlds
Yeah, there’s definitely a lot of self-portraiture. Even the work that doesn’t look like self-portraiture is self-portraiture. My father is a psychiatrist, and a part of our dialogue together is analyzing the inner lives of various artists, how their unconscious thoughts show up in their work. Those conversations taught me to look at my work in the same way. It’s similar to analyzing a dream. It’s so interesting to me.
A Ceramic Materials Atlas
Organizing these materials in our studio is the outermost tip of a complex global distribution network of intricate webs of highways, shipping routes, rail lines, and flight paths—a planetary vascular system and neural network, a pulsing flow of matter and information covering the surface of the earth.
Earth Studies
Despite the diminutive size of our bodies, the Earth, in all its grand scale and complexity, is managing to grow inside us.
How To Make an Old World New?
Notes on the Whales in the Room
Entwined with the whaling industry, then, which peaked in the mid-19th century, was the violence of a colonial modernity that rendered the world open for the taking.
Imagination Dead Imagine
Without a Future, We Can Be Forever
Choreographies of the Impossible, the 35th Bienal de São Paulo
I Like It Hot: Red, White & Royal Blue
Some Notes on Alternative Arts Publications: The Alternatives’ Dance for Money or Walking on a Tightrope
Amanda Grae Platner: It’s Still Not Me, It’s You
In It’s Still Not Me, It’s You at Atlanta’s Echo Contemporary Art, Platner’s self-portraits and installations invite the viewer into her world. She coaxes empathy through a variety of strategies, some that are playful and interactive, others that involve showing pain.