Sasha Cordingley
Coleman Collins, The Upper Room
Exiting the elevator to Brief Histories, located on the second floor of an inconspicuous building in New York’s Chinatown, I...
ECHOES Episode 3
This month, we have a dialogue between Elvia Wilk and Sasha Cordingley. They use their respective contributions to the Winter...
Alison Nguyen’s Andra8 and the Gig Workers of the Data Economy
Sitting in front of a wrinkled sea-green backdrop is Andra8, the protagonist of Alison Nguyen’s 19-minute film my favorite software...
Korakrit Arunanondchai and Alex Gvojic: PRAY
Beyond a subtly marked door on Canal Street in Lower Manhattan, Korakrit Arunanondchai and Alex Gvojic have created something akin...
Boy With Luv
BTS’ offers a new incarnation of the boy band, one that refuses the limitations of Western, propagandized stereotypes and White supremacist ideals, intent instead on promoting self-acceptance.
Jes Fan: Infectious Materials, Molecular Memories
In the United States there is a long history of positioning the foreign, non-White body as a viral contaminant. Confinement...
Resisting the Spectacle
Sasha Cordingley explores the shift in representations of pro-democracy protests in Hong Kong, from the international news media’s spectacle to the intimate banalities of continual struggle, in Resisting the Spectacle—Tiffany Sia’s Never Rest/Unrest.