Review
The Seventh Continent
The title The Seventh Continent refers to the Great Pacific garbage patch, which is a mass—approximately five times the size...
Anastasia Samoylova: FloodZone
A bicycle-helmeted boy, shoulders drawn in slightly, stands on a ramp at the entrance of a parking garage. He is...
Tigers Are Not Afraid (Vuelven)
“There are no wishes. There’s nothing. Not even tigers. We’re all there is.” Tigers Are Not Afraid is a gritty...
Great Force
The press preview was wrapping up. Journalists, community organizers, and artists were assembled at the Institute for Contemporary Art (ICA)...
Deborah Anzinger: An Unlikely Birth
In an epigraph to her book Zong!—a meditation on the 1781 massacre of an estimated 150 slaves in the Middle...
Suzanne Lacy: We Are Here
If you have never seen the name Suzanne Lacy on a wall label in a museum, or even a gallery,...
Jacqueline Humphries
This interview was originally published in ART PAPERS March/April 2016, Vol. 40, issue 2. What would it be like to...
The Music Box: A Shantytown Sound Laboratory
This review originally appeared in ART PAPERS March/April 2012. One of the most popular, if improbable, recent sensations in the...
Spaces: Antenna, The Front and Good Children Gallery
This review originally appeared in ART PAPERS May/June 2012. Cataclysmic experiences may yield unexpected benefits, but they never come easily....
Trauma and Repetition: fence by Staibdance
On October 3, 2019, Staibdance premiered a new work, fence, by Artistic Director George Staib in collaboration with Managing Director...