New Commons
Office Landscaping—A Genealogy of Corporate Critique
Ultimately, corporate critique has a genealogy, one that is cyclical and resilient, and that allows artists to engage aesthetics of control, desire, and regulation which corporate capitalist structures aim to produce.
Living Worth Repeating—
On the Xenogenesis of the Otolith Group
What’s Love Got to Do with It? What Is Left Unspoken, Love
Refusing the Here—Now: An Afrofuturist Period Room and Black Fugitivity in the Undercommons
By mixing the historical and the contemporary, the analogue and the digital, the obsolete and the futuristic, the concrete and the speculative, the installation proposes a malleable reality, an undercommons existing not in the here-now but for, and toward, the future.
Broken Hum(or)
Dinah Ryan explores the functions and possibilities of humor and its intersections with power, pain, vulnerability, and humanity.
On the National Mall
and we were dancing
Remote Access parties and Levani’s 127.1 BPM represent new, expansive ideas of the commons where queer, trans, immigrant, and disabled communities have gathered, and will gather, transgressively.
Geograpologies
To begin with, we needed a new word, a neologism to wrestle us out of our standard 2022 English (a time high on updates and vitriol, but low on resonance); a word to carve out terrain of another condition: Geograpologies