Feature
Gestures of Refusal:
Black Photography and Visual Culture
Gestures of Refusal: Black Photography and Visual Culture is the third installment in the Seeing Black1 series curated by Shana M. griffin. Currently on view at the Contemporary Arts Center in New Orleans, Gestures is vast and disarming. Before going, I wondered what it would look like: refusing / reiterating / recognizing a way of recounting (all) the ways that we appear to one another—as artists, as humans—swept up in the throes of Blackness. Recognizing. Reiterating. Refusing.
Africatown
Por ti, me doblo / Junto, te aplico
A Ceramic Materials Atlas
Organizing these materials in our studio is the outermost tip of a complex global distribution network of intricate webs of highways, shipping routes, rail lines, and flight paths—a planetary vascular system and neural network, a pulsing flow of matter and information covering the surface of the earth.
How To Make an Old World New?
Notes on the Whales in the Room
Entwined with the whaling industry, then, which peaked in the mid-19th century, was the violence of a colonial modernity that rendered the world open for the taking.
Imagination Dead Imagine
Without a Future, We Can Be Forever
AIDS Art Action
Constructing the Environmental Imaginary
The American Garden in Nineteenth-Century Canton
Architecture and Sufficiency:
A Case Study in Applied History
The history of architecture and sufficiency suggests a porosity in the rigid distinctions that have characterized the field’s erstwhile attentions, which so often focus upon heroic figures engaged in the development of progressive design techniques. It turns instead to a chronologically heterogeneous array of climate and solar design strategies—regionally specific and culturally conditioned—that have emerged over a much longer period, and with less attention to formalist pedigrees, to consider design methods for life after fossil fuels.