Reviews
Rallou Panagiotou’s Pocket Microclimate: A Response
The ordinary conventions lapse, for in ordinary life one does not, after shaking hands with an unknown man, at once...
What Cannot Be Held—Malcolm Peacock’s We Served … and they felt tiny bursts along the horizon
In a shotgun house in the Irish Channel neighborhood of New Orleans, I anxiously waited for 2 pm. I had...
Renée Green—Inevitable Distances
Inevitable Distances [October 23, 2021–January 9, 2022], Renée Green’s expansive exhibition spread across Kunst-Werke Berlin and daadgalerie, featured elements suggesting...
Memoria
A murky predawn setting opens Memoria, the camera trained on gray curtains inside a seemingly empty bedroom. Everything is hushed,...
2021 Texas Biennial: A New Landscape, A Possible Horizon
Texas is as complicated as it is big, and the 2021 Texas Biennial, featuring more than 50 artists (mostly) working...
Talking Back: Zineb Sedira’s Voice-Over
Projection walls of movie theaters are curved to correct for distortion. Images projected on them appear flat because of an...
Duane Linklater: mymothersside
Far in the distance of a vast, snow-covered clearing, men dressed in North Face jackets approach a large, dark mass...
Candice Lin: Seeping, Rotting, Resting, Weeping
*This piece will be published in our Winter 2021 issue, and is a sneak peek of what’s to come in...
The Athens Dialogues: Interviews by Hans Ulrich Obrist
“The future is built from fragments of the past” Hans Ulrich Obrist muses, invoking Erwin Panofsky in the introduction to...