circulation
AIDS Art Action
This feature was originally published in ART PAPERS March /April 1989, Vol. 13, issue 2. “It is in the knowledge...
Nature’s Intelligence
Bay Area–based Chinese American architect and polymath Eugene Tssui believes that “it is the birthright of every human being to...
Bioshelter Toilet
With the conviction that the world’s ecosystems were under siege, fisheries biologists John Todd and William McLarney, with writer Nancy...
Arata Isozaki, Re-Ruined Hiroshima, Photomontage, 1968
Repeated throughout his career and intoned almost like a dirge, the potent phrase “The city of the future lies in...
Flipper, Cousteau, and Homo aquaticus
The broadcast of Flipper and Jacques Cousteau’s documentaries introduced audiences to a seemingly alien world. But these popular shows sought...
Series Collapsed by MPA
Infinity had to start somewhere. ∞, also known as the lemniscate, the ouroboros, or the “lazy eight”—often a line with...
End of Year Letter: 2023 -> 2024
End of Year 2023 -> 2024 2023 has been a pivotal year for Art Papers, one filled with great accomplishments and...
Milk
Charting the historical, cultural, and scientific resonances of milk, the exhibition draws connections between protection and power. Across the works, milk closes the space between bodies. It destabilizes those things we typically consider natural, and it asks who gets to participate in the fantasy of motherhood.
Let It Flow—Hannah Palmer’s Reimagined Atlanta
The quest that led Atlanta-based writer and urban designer Hannah Palmer to create Ghost Pools last summer in Atlanta was...
Tiona Nekkia McClodden at Kunsthalle Basel
Beauty is not a luxury, rather it is a way of creating possibility in the space of enclosure, a radical...