circulation
Candice Lin: Seeping, Rotting, Resting, Weeping
Locus Hour
In Thill’s work, spirituality and hope coexist in tension with the banal materials of daily life, presenting an idea of transcendence that must pass through and engage with the grit of existence.
Katherine Jentleson: Whose History of American Art?
Katherine Jentleson and Logan Lockner reflect on the creation of two concurrent exhibitions at the High Museum of Art—”Really Free: The Radical Art of Nellie Mae Rowe and “Gatecrashers: The Rise of the Self-Taught Artist in America.”
Angela Ziqi Zhang and Maggie Crowley: Flash, Bang, Fizz
In the summer of 2021, two solo exhibitions in Chicago, one by Maggie Crowley and another by Angela Ziqi Zhang, echoed one another in many ways: connected by the dotted lines of the artists’ friendship and shared history, the presentations revealed common concerns—around value and experience, affect and attention—that play out in both of their practices through distinct visual and material registers.
Bleeding Out: On the Use of Blood in Contemporary Art
Blood corrupts conventions of purity and privacy to suggest all elements of the body can be used for expression.
Against Closure: John Akomfrah and the Monumental
John Akomfrah’s practice can be considered in relation to the problematics of monuments, and it is apt to do so at a time of widespread decommissioning of statues depicting individuals long celebrated for their roles in dominant narratives of human progress.
Mark Thomas Gibson: Chaos Is The Season
Will Corwin interviews Mark Thomas Gibson about Honoré Daumier’s influence on Gibson’s works of political satire, keeping momentum after a political win, and the challenges of building upon a broken foundation.