circulation
Itziar Barrio: Stella!—working on, and through You Weren’t Familiar but You Weren’t Afraid
You Weren’t Familiar but You Weren’t Afraid was filmed in multiple cities and makes overt narrative references to three films: A Streetcar Named Desire (1951), La estrategia del caracol (The Strategy of the Snail) (1993) and Accattone (1961).
Trevor Paglen: Vision After Seeing
Vision After Seeing investigates the fallacies of surface as a means to address geopolitical complexity. The exhibition consists of a...
Renée Green—Inevitable Distances
Inevitable Distances [October 23, 2021–January 9, 2022], Renée Green’s expansive exhibition spread across Kunst-Werke Berlin and daadgalerie, featured elements suggesting...
Memoria
A murky predawn setting opens Memoria, the camera trained on gray curtains inside a seemingly empty bedroom. Everything is hushed,...
2021 Texas Biennial: A New Landscape, A Possible Horizon
Texas is as complicated as it is big, and the 2021 Texas Biennial, featuring more than 50 artists (mostly) working...
Talking Back: Zineb Sedira’s Voice-Over
Projection walls of movie theaters are curved to correct for distortion. Images projected on them appear flat because of an...
Hew Locke: A World Before the World We Know
Cosmo Whyte speaks with Hew Locke about how Locke’s work delves into deep histories of migration and colonialism.
2021->2022
’Tis the season for taking stock of the things we’ve accomplished in the past year. Considering the many challenges that...
Candice Lin: Seeping, Rotting, Resting, Weeping
*This piece will be published in our Winter 2021 issue, and is a sneak peek of what’s to come in...
Locus Hour
In Thill’s work, spirituality and hope coexist in tension with the banal materials of daily life, presenting an idea of transcendence that must pass through and engage with the grit of existence.