Month: April 2023
Postnational Hybridity and Our Uncertain Future
Twenty years after Nigerian-born curator Okwui Enwezor introduced a non-Western curatorial model to documenta 11, we can witness the impact...
stones make birds make stones
Kite, INYAN/ZINTKALA/INYAN KAGAPI (STONES MAKE BIRDS MAKE STONES), 2021 Created in response to Martha Tuttle’s installation, A stone that thinks...
Heritage Algorithms and Other Letters to the Future
Over twenty years ago, the exhibition The Quilts of Gee’s Bend opened at the Whitney Museum of American Art. The...
Singapore Biennale: Natasha
Naming a biennale after a random, anonymous person felt like a gamble, and from the mutterings I heard on the...
Make Me Feel Mighty Real: Drag/Tech and the Queer Avatar
Tay was born a teenage girl chatbot on March 23, 2016. Her parents, a crew of Microsoft employees, designed her as...
The Eyes Were Always on Us
The Eyes Were Always on Us opened March 23 at the United Talent Agency’s new Atlanta gallery on Peachtree Street—a...
Stock Us
Atlanta-based and globally-engaged, Art Papers serves the creative community and the culturally curious by expanding the dialogue around contemporary art...
Jamal Cyrus: The End of My Beginning
Jamal Cyrus’ The End of My Beginning is a survey exhibition that includes more than 40 works made over a...
Morehshin Allahyari: A Jinn Rather than a Cyborg
An oddity of much recent algorithmically generated art is that, while it traffics in the rhetoric of hyper-novelty, it often...