Art Papers  

Saturday, August 30, 4:15pm

Co-presented by the Decatur Book Festival
at Decatur High School Stage
FREE + Open to the Public

ART PAPERS presents

Movable Types

Friday, September 5, 7 to 10pm
Ponce Gallery at Ponce City Market, Atlanta

Long-Legged Linguistics

Saturday, September 20, 11am
co-presented by the
Birmingham Museum of Art

July/August 2014

Art Education Reaches an Apex
in the American South

As Emory University closes its fine art department, Lilly Lampe asks what it says about the system.

The Data Self
Dan Weiskopf examines the portraiture of the digital age, then speaks to Rob Horning about social media and subjectivity.

Amazon Mechanical Turk
Will Becker's crowd-sourced 'Whitney Bienniel Reviews, 2014" is revealed in full in this downloadable PDF.

Bruce Mau Commencement Address
Gerald FitzGerald interviews RISD's 2014 graduation speaker, who told students to "work on what [they] love."

An Informal Survey of Post-Graduate
Visual Arts Programs

Kari Rittenbach asks about professional development.

Process Processes
As My Holy Nacho, Jamie Allen and Bernhard Garnicnig visualize data relative to the creation of artworks.

Showing and Sharing in Philadelphia
Local magazines are shaping the arts through public programming; Becky Huff Hunter reports.

New British Ceramics
Fanny Singer addresses the recent past and near future of ceramics in the UK, and speaks to Aaron Angell and Jesse Wine, two artists working with clay.

Artist Statement, 9.7, and Sixty Five Percent of What I Throw Away Is Compost
Three poems by Elaine Kahn.

Shanzhai Biennial No. 3
New experiments in the art of branding are coming soon.

Proust's Mirror
Jordan Silver and Jakob Haglof illustrate the creative condition, daily.

Social Capital
Martin G. Fuller is "kind of friendly with" the ART PAPERS editorial team.

Donelle Woolford (US Tour); Institutional Time (Book); Sae A Lee (Staunton, VA); Jerstin Crosby (Raleigh, NC); Jake and Dinos Chapman (Montreal); Before Our Eyes (Barcelona); A Thousand Doors (Athens, Greece); Instructions for an Ordinary Utopia (Frome, UK)

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First Person Leaky
by Rosa Aiello

A subjective camera seeks clarity in an intimate space; interruptions articulate the whole.

To: Constant Dullaart; From: Carson Chan;
Re: Balconism

A curator and writer responds to a manifesto calling for sovereign communication in the digital age.


+ May/June 2014
+ March/April 2014

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