Interview
Interview with Sam Gilliam
This interview was originally published in ART PAPERS January/February 1982, Vol 6, issue 1. Photos included in this interview are...
Alex Tatarsky: Power|Play
New York and Philadelphia–based artist Alex Tatarsky’s practice operates somewhere between the serious and the sardonic. Drawing upon histories of...
Jacob Lawrence
This interview was originally published in ART PAPERS March/April 1987, Vol 11, issue 2. Jacob Lawrence visited Atlanta in connection...
Interview: Keith Haring
This interview was originally published in ART PAPERS September/October 1988, Vol 12, issue 5. Michael Freeman: In your early...
Interview with Carrie Mae Weems
This interview was originally published in ART PAPERS May/June 1993, Vol. 17, issue 3. Born in Portland, Oregon in 1953,...
Zora J. Murff: Documenting the Shadow Empire
Zora J Murff is an artist and educator whose work critically examines systemic oppression and the cultural, historical, and personal...
Amber Esseiva: Call and Response
Amber Esseiva is curator of the group exhibition Dear Mazie, at the Institute for Contemporary Art at Virginia Commonwealth University....
Interview with Judy Pfaff
This interview was originally published in ART PAPERS November/December 1987, Vol. 11, issue 6. Known primarily for her elaborate installations,...
Tirzo Martha: Things in Perpetual Becoming
Tirzo Martha is an artist based in Curaçao and the founder of Instituto Bueno Bista (IBB). I traveled to Curaçao...
Nancy Baker Cahill: An Invitation to Future Species
“What I’m especially excited to share in my own practice is a process of mutation, translation, and mediation. And so, what we’re really doing is tracing a trajectory of lines on—in this case, paper—but let’s say just a wall. I take those drawings, tear them into 3-D objects, then combine and recombine them into immersive 3-D sculpture.”