Features
Art on MARTA
A photo essay by David Naugle documenting the public art of Atlanta’s rapid transit system brings a vast collection of commissions out of the stations’ shadows
with an introduction by John Cocker.
The Possibility of an Airport
On the seductive paradigm of Atlanta’s Hartsfield-Jackson International
Black Folks on Bikes
Interviews with members of community and advocacy groups changing the iconography of the American cyclist, with portraits of MOBB-ATL Cycling Club by Zach Wolfe.
Wim Wenders’ Road
The New German Cinema director behind Until the End of the World (1991) reflects upon his 70th year, while looking forward: in the future, he predicts, we’re going to be okay.
Rallou Panagiotou
A Greek artist’s practice treats liquids as solids, and materials as ideas.
The Zombies Are Real
Kojo Griffin has a theory about the undead, the art world, and you.
Dead Ends
Atlanta’s Great Southwest Industrial Park was once home to masterpieces of American midcentury minimalism; now the site is overgrown and semi-disused, and we can’t find the Donald Judd. Photo essay: David Naugle
A Body of Work
An ART PAPERS contributor leaves arts writing for nursing school; his decision is personal, political, and productive of a new understanding of criticism.
Hayley Silverman’s SOUP
Songs excerpted from Aimé Césaire’s “A Tempest” accompany a poetic essay accompanying recent works exhibited in artist Hayley Silverman’s “Unmanned Lander.”
On Informality and Nomadism
Torrent sites and pirated media form the black market archives preserving visual culture in postcolonial Pakistan.