The Metropolitan Museum of Art
Refusing the Here—Now: An Afrofuturist Period Room and Black Fugitivity in the Undercommons
By mixing the historical and the contemporary, the analogue and the digital, the obsolete and the futuristic, the concrete and the speculative, the installation proposes a malleable reality, an undercommons existing not in the here-now but for, and toward, the future.
Heavenly Bodies
Evening dresses by Versace and by Dolce & Gabbana with imagery of Catholic saints and the Madonna and Child are...
Amie Siegel: Provenance
The passages that populate Amie Siegel’s 2013 work Provenance [June 23, 2014—January 4, 2015] appear seamless and unhindered. Her expertly executed three-part...