Stephanie E. Goodalle
Tamia Alston-Ward’s
Le Déracinement (The Uprooting)
American material and visual history are interconnected—the two cannot be separated. This fact is made apparent in Tamia Alston-Ward’s solo...
Crystal Z Campbell
Crystal Z Campbell collapses the past and present to historically contextualize the legacy of the theater and the physicality of the crumbling film as a site of destruction and fortitude.