Lodos Gallery

Berenice Olmedo—Radical Alterity and the Crip/Disabled Subject

Utilizing sculptural, performance, and social practice modes, Olmedo’s work circumvents the representational trap that is part and parcel of a reduced, oppositional framing of normative and non-normative, or able and disabled.

Type:
Features
Source:
Fall 2021
Credit:
Text / Christopher Robert Jones