From the Archives
Virtual Vistas
This article was originally published in ART PAPERS May/June 2000, Vol. 24, issue 3. One of the hardest lessons...
Is there a “post-Black” art?
This essay was originally published in ART PAPERS November/December 2002, Vol 26, issue 6. As if illustrating a principle of...
Jacob Lawrence
This interview was originally published in ART PAPERS March/April 1987, Vol 11, issue 2. Jacob Lawrence visited Atlanta in connection...
Interview: Keith Haring
This interview was originally published in ART PAPERS September/October 1988, Vol 12, issue 5. Michael Freeman: In your early...
Interview: Amalia Mesa-Bains
This interview was originally published in ART PAPERS March/April 1995, Vol 19, issue 2. Amalia Mesa-Bains is an artist as...
Guillermo Gómez-Peña:
There Goes The Virtual Neighborhood
This interview was originally published in ART PAPERS November/December 2001, Vol. 25, issue 6. While consistently breaking new ground in...
Katharina Grosse: Lush Irreverence
This interview was originally published in ART PAPERS September/October 2008, Vol. 32, issue 5. Katharina Grosse arrived on the international...
Sheila Pree Bright’s Suburbia: Where Nothing Is Ever Wanting
This essay was originally published in ART PAPERS July/August 2007, Vol 31, issue 4. For the past two years, Sheila...
Interview with Judy Pfaff
This interview was originally published in ART PAPERS November/December 1987, Vol. 11, issue 6. Known primarily for her elaborate installations,...
Nicole Eisenman: Fantastic Worlds
Yeah, there’s definitely a lot of self-portraiture. Even the work that doesn’t look like self-portraiture is self-portraiture. My father is a psychiatrist, and a part of our dialogue together is analyzing the inner lives of various artists, how their unconscious thoughts show up in their work. Those conversations taught me to look at my work in the same way. It’s similar to analyzing a dream. It’s so interesting to me.