Feature
Garage Museum of Contemporary Art
In Moscow’s Gorky Park, a museum provides infrastructure for national social change; here, its director Anton Belov and chief curator Kate Fowle discuss programming for accessibility and integrity.
Give Me the Colors . . . and the Country
On the troubling alliance between a mayor-turned- prime minister in Tirana, the artist-godfathers of relational aesthetics, and the greatest spin doctors in European politics.
Achieving Blankness
Notes from the edge of the Atlanta Airport
with photography by Johnathon Kelso
Art on MARTA
A photo essay by David Naugle documenting the public art of Atlanta’s rapid transit system brings a vast collection of commissions out of the stations’ shadows
with an introduction by John Cocker.
The Possibility of an Airport
On the seductive paradigm of Atlanta’s Hartsfield-Jackson International
Black Folks on Bikes
Interviews with members of community and advocacy groups changing the iconography of the American cyclist, with portraits of MOBB-ATL Cycling Club by Zach Wolfe.
Wim Wenders’ Road
The New German Cinema director behind Until the End of the World (1991) reflects upon his 70th year, while looking forward: in the future, he predicts, we’re going to be okay.
Rallou Panagiotou
A Greek artist’s practice treats liquids as solids, and materials as ideas.
The Zombies Are Real
Kojo Griffin has a theory about the undead, the art world, and you.
Dead Ends
Atlanta’s Great Southwest Industrial Park was once home to masterpieces of American midcentury minimalism; now the site is overgrown and semi-disused, and we can’t find the Donald Judd. Photo essay: David Naugle