Dossier
Flow Through: Bahar Yürükoğlu
Processing the politics of “a timeless, borderless place,” an artist proposes a new mythology.
The Good Soil: Michael John Whelan
Photographing the Global Seed Vault, an artist experiences “a sobering feeling of inescapability” at the junction of geological past and humanity’s future physical fragility.
Four Edges of Pyramiden: Ieva Epnere
A woman in a blue dress “symbolizes the Russian ‘dream’ of an ideal state or place on earth.”
Chrysanthi Koumianaki
An artist’s existentialist account of Greek economics, via Paris May 1968.
Drachmas
1970s Athens, a Jordanian family vacation, and an Arab TV production boom.
The School of Athens
A call for a departure from the trope of the Greek capital as “southern experiment” in creative sustainability.