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A Brief History of Power
Contributing editor Stephanie Bailey traces the lines of electrification to political power via Chilean artist Iván Navarro and the 38th EVA International in Ireland.
Avantika Bawa: APEX and Coliseum
Avantika Bawa’s APEX and Coliseum examine a Portland, OR landmark that stirs halcyon memories among several generations of architecture and...
Zina Saro-Wiwa
British–Nigerian video artist and filmmaker Zina Saro-Wiwa depicts women as wandering states. Sensing a path through emotional matter, the artist...
Cauleen Smith: Give It or Leave It
In a political landscape where truth can feel fluid at best and arbitrary at worst, it seems apt that archival...
Poncili Creación Fights a More Beautiful Fight
Maxwell Paparella spends time with exuberant Puerto Rican performance collective Poncili Creación.
Rachel Rampleman: Oh! You Pretty Things
On the day I visited Weston Art Gallery in Cincinnati, OH, to see Rachel Rampleman’s mid-career survey, Oh! You Pretty...
Dr. Huey Copeland
On influences, the stakes of art history, and pushing the binaries of art historical imagination.
Christine Sun Kim: Too Much Future
Nina Sun Eidsheim’s 2015 text Sensing Sound: Singing and Listening as Vibrational Practice sits at the fore of recent scholarly...
Henrik Olesen: What is Most Deep is the Skin
On artist Henrik Olesen’s “Hysterical Men” and “The Walk,” which concern mental illness and the pathologization of queerness by way of historical figures.
Access+Ability
What would a completely accessible museum look like? Removing all barriers for every visitor to a cultural institution is an...