circulation
Sheila Pree Bright’s Suburbia: Where Nothing Is Ever Wanting
Fall Exhibitions at SCAD Museum of Art
Teaching Between Worlds
“It becomes more and more difficult in the given academic structures to figure out how to make these kinds of spaces of inquiry. But I’m still having a blast, and my students are still stabbing me through the heart and the eyes every day.”
Interview with Carrie Mae Weems
Dark Study: on Emily Jacir, Forensic Architecture, and fugitive documentary
Zora J. Murff: Documenting the Shadow Empire
Amber Esseiva: Call and Response
Jen Everett: Kinship, Interiority & the Black Femme Gaze
Magdalena Suarez Frimkess—The Finest Disregard
Even her utilitarian tableware—tortilla plates and coffee mugs—appear sculptural, not functional. Whereas many ceramicists, including her husband, take great pains to rid their work of evidence of their physicality, eradicating touch, pressure, emotion, and kinetic energy, Magdalena’s sculptures quiver with her presence. Fingerprints, pinch marks, patchwork, the spontaneity and surety of her brushstrokes altogether engender a perceptible alive-ness.