circulation
Series Collapsed by MPA
Infinity had to start somewhere. ∞, also known as the lemniscate, the ouroboros, or the “lazy eight”—often a line with...
End of Year Letter: 2023 -> 2024
End of Year 2023 -> 2024 2023 has been a pivotal year for Art Papers, one filled with great accomplishments and...
Milk
Charting the historical, cultural, and scientific resonances of milk, the exhibition draws connections between protection and power. Across the works, milk closes the space between bodies. It destabilizes those things we typically consider natural, and it asks who gets to participate in the fantasy of motherhood.
Let It Flow—Hannah Palmer’s Reimagined Atlanta
The quest that led Atlanta-based writer and urban designer Hannah Palmer to create Ghost Pools last summer in Atlanta was...
Tiona Nekkia McClodden at Kunsthalle Basel
Beauty is not a luxury, rather it is a way of creating possibility in the space of enclosure, a radical...
Three Case Studies in Ecological Protest
At the time of this timeline’s original publishing in our Fall 2023 issue, Counter Ecologies, in Atlanta, the Stop Cop...
Robin Levy: A Space of Solidarity
In 2021, I traveled to see Prospect 5: Yesterday We Said Tomorrow. As I prepared for the trip, a mutual...
Erasing Pronouns: Beatriz Santiago Muñoz’s Ottilia
The women say that of her song nothing is to be heard but a continuous O. That is why this...
Counter Ecologies
The “environment” is a nebulous thing. Its meaning takes on new dimensions every decade or so, signifying everything including place,...
Radical Radixes—On Lili Dujourie’s Mimesis
The work consists of an upright, kinked, and broken cylinder, from the base of which protrude zigzagging, forked rods; the whole evokes a barren tree trunk, its roots growing down the sides of its plinth, clinging to it. Two of the roots reach the pavement and one touches the steps, mimicking the way that some trees survive on rocks or walls by rooting around them.