circulation
Black Folks on Bikes
Interviews with members of community and advocacy groups changing the iconography of the American cyclist, with portraits of MOBB-ATL Cycling Club by Zach Wolfe.
Colin Renfrew: Where Are We Going?
An archaeologist at the University of Cambridge known to ask big-picture questions, such as “Where do we come from?” and “Where are we going?,” answers some of ours.
Grits
An artist’s research took her to all 13 Presidential Libraries in the United States; notes from her stopover at the Carter Center weave archival research into intimate historical fiction.
Wim Wenders’ Road
The New German Cinema director behind Until the End of the World (1991) reflects upon his 70th year, while looking forward: in the future, he predicts, we’re going to be okay.
AEROSOL
ART PAPERS’ first “fashion film” stylizes and celebrates the imperfect movements and stillness that fall in-between what usually makes the proverbial “cut.”
Rallou Panagiotou
A Greek artist’s practice treats liquids as solids, and materials as ideas.
Idle Weeds are Fast in Growth
A photographer and an editor compare their practices to weeding; new photographs remind us to look down.
The Zombies Are Real
Kojo Griffin has a theory about the undead, the art world, and you.
Gatecrashing with Katherine Jentleson
An interview introduces Katherine Jentleson, scholar and curator of folk art, now at the High Museum of Art.
Dead Ends
Atlanta’s Great Southwest Industrial Park was once home to masterpieces of American midcentury minimalism; now the site is overgrown and semi-disused, and we can’t find the Donald Judd. Photo essay: David Naugle